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25th Anniversary Review of John Byrne’s Man of Steel Part I

Posted in 80s, Batman, comic books, pop culture, Superman with tags , , , , , , , on July 6, 2011 by Paxton

Superman Week

John Byrne’s historic six issue mini series, The Man of Steel, just turned 25 years old.  It was released during the Summer of 1986 to “clean up” the ever increasing super powers and ever more complicated back story of DC’s flagship super hero. For years, this series was the official origin of the post-Crisis Superman.  What’s “post-Crisis”?  Glad you asked.

Twenty six years ago (Apr 1985), DC released their multiverse changing event Crisis on Infinite Earths. I discussed the genesis of that historical mini-series over on Strange Kid’s Club in a very special installment of Forgotten Favorites. That megaseries changed the landscape of the DC Universe. It ushered in a time of change. Heroes died.  Heroes lived.  But after all was said and done, everyone had to pick up the pieces and move on.

Crisis #1

DC was using the event to update and modernize their heroes. After the event was over,  George Perez would relaunch the post-Crisis Wonder Woman.  Batman’s origin would be expanded and revamped in Frank Miller’s famous Batman: Year One. And it also was time for DC to give Superman a new start. In the years leading up to Crisis, Superman had become entirely too powerful. I talked about some of his more ridiculous “super powers” earlier this week. The time of Superman igniting suns with his heat vision and juggling planets had come to an end. Crisis writer Marv Wolfman pitched DC on a Superman reboot that would eliminate the super pets, the surprisingly large number of Kryptonian survivors and power down the Man of Steel to more “normal” levels. Wolfman even wanted to eliminate Superman’s adventures as Superboy. Surprisingly, Wolfman made a similar pitch to DC back in the 70s but they rejected it. Now DC was all ears.

Wolfman decided to hire popular writer/artist John Byrne (who had just left Marvel) to help him flesh out the details of the story. Wolfman and Byrne sequestered themselves away and came up with a multi-year plan for the new Man of Steel.  A month or so after the end of Crisis on Infinite Earths, John Byrne would kick off Superman’s triumphant return with a 6 issue mini-series (re)introducing the new post-Crisis Superman to comic readers.  At the end of that series, Byrne would take over writing and drawing Action Comics and the new Superman title and Marv Wolfman would take over writing Adventures of Superman with Jerry Ordway drawing.

Man of Steel 1b

Each issue of Byrne’s 6 issue series would re-introduce aspects of the Superman mythos back into the DC Universe.  I’ll take a quick look at the first 3 issues today, then I’ll look at the final three issues tomorrow.  I haven’t read this series since the mid ’90s, so it’ll be interesting to see if it’s still any good or if it’s totally dated.

Let’s find out.

MOS 1a
Issue 1’s prologue begins on Krypton and we learn that this new Krypton is very similar to the Richard Donner version from the movies. It’s very scientific, the landscape is antiseptic and the people are detached from each other. However, despite being highly evolved, their planet is dying. Jor-El is making preparations to rocket his son to Earth. He explains to Lara that he chose Earth because the yellow sun would super charge his Kryptonian cells, making him a “super” man and superior to humans so he can one day rule the planet. The rocket takes off, we see the planet explode and then the prologue ends. We pick up with Clark in high school. He’s a football star. A jock. And kind of a douche. And he’s unaware that he’s an alien. Pa Kent shows him the crash site and explains how he was found in the fields after crashing to Earth. Clark must come to terms with not being human and learning to deal with his burgeoning powers. In the epilogue we see Clark, with help from Ma and Pa Kent, create his super suit and the disguise for Clark Kent. The suit is normal fabric. We learn that Clark emits a force field around his body that protects things close to him, like his clothes. Things outside the field, like his cape, can be torn up or destroyed.

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12 of Superman’s Most Absurd Pre-Crisis Super Powers

Posted in 80s, comic books, nostalgia, pop culture, Superman with tags , , , , , , , on July 4, 2011 by Paxton

Superman Week

Everyone knows the many standard powers of Superman; fly, super-strength, super-speed, super-breath, invulnerable, heat-vision, etc.  Not everyone knows, though, that he didn’t always have many of these abilities. Not only that, Superman has several other super powers that are less used, but still kept in his back pocket for just the right moment when he can whip it out and dazzle everyone.

As the years went on, and writers kept getting more…”creative”…Supes powers were quickly growing and getting more out of control. These little known powers had stacked up over the years until finally DC had to say, “Dammit, that’s enough” and launched the massive Crisis on Infinite Earths event to just level the playing field.

Let’s take a look at some of the lesser known, and therefore more humorous, of Superman’s Pre-Crisis abilities .  I’ll include panels of Superman using the ridiculous powers when I can.  If you have trouble reading the text, click the images to make them bigger.

Super Ventriloquism 1 Super Ventriloquism 2
Super-Ventriloquism and other voice “powers” – Not only Super-V, he had a whole bag full of voice powers that writers tended to wield at their hip like gunslingers. Superman could throw his voice over great distances and also possessed super-voice-mimicry, which means he could make his voice sound like anyone else. That power must come in handy at parties when you are stuck talking to the guy who won’t leave you alone and keeps asking you to come check out his “sweet van” out in the parking lot.  The one painted all white with no windows (aka RAPE van).  If you were Supes, you could throw your voice across the room as someone else calling your name and you can get the hell out of there. Nicely done, Superman.  Or, you could just punch a hole in the rapist’s face because you are, you know, SUPERMAN.

Super Mathematics
Super-MathematicsSuper Mathematics? That looks a lot like regular mathematics to me. By the way, Super Douche, isn’t 20 x 16 x 10 = 3,200?

Super Weaving
Super-Weaving – Yes, that actually happened.  Super weaving.  Not weaving at super speed.  Super-weaving.

Super Hypnosis
Super-Hypnosis – Apparently this is why no one recognizes Clark Kent is Superman.  And it apparently works even when he isn’t concentrating on using it (I guess that’s what makes it super hypnosis?).  However, I prefer to ignore this power and assume that everyone in Metropolis is just that dumb to notice they are the same person.  Or they really just don’t care.

Super Telepathic Will Control
Super-Telepathic Will Control – In an early issue of Superman where he’s kidnapped by aliens, he whips out telepathic will control, which allows him to override someone’s mind and make their body do whatever Superman wants.  If he can do this, then why would he ever need Super Hypnosis?

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Cannonball Run turns 30 years old

Posted in 80s, Cannonball Run, movies, nostalgia, pop culture with tags , , , on June 19, 2011 by Paxton

Cannonball Run ad

The classic road race movie The Cannonball Run was released on Jun 19, 1981, 30 years ago today. It starred Burt Reynolds, Dom Deluise, Roger Moore, Jamie Farr and a host of other celebrities like Jackie Chan, Farrah Fawcett, Dean Martin, Sammy Davis Jr, Terry Bradshaw and Adrienne Barbeau.

Watch the trailer:

Some interesting trivia about the film:

The film was originally going to be a straight up action flick starring Steve McQueen. After McQueen’s death, the lead was given to Burt Reynolds and the script was re-written as a comedy.

The race in the movie is based on an actual, real life race that took place over several years in the 70s. I discuss the origins of the real race; The Cannonball Baker Sea-to-Shining-Sea Memorial Trophy Dash here.

Many of the vehicles, including the ambulance driven by Reynolds and Deluise, were actually entered and run in the real life Cannonball races in the late 70s.

Roger Moore plays Seymore Goldfarb, Jr, a spoof of James Bond, who he was portraying at the time.  In the race, he drives an Aston Martin which is famously linked to the British secret agent.  However, Moore never drives an Aston Martin in the seven movies he appeared as James Bond.  This movie is the only on-screen pairing of Moore and the famous car.

This movie features one of Jackie Chan’s first US appearances.  His character is Japanese, even though Chan himself is Chinese.  Chan was inspired by director Hal Needham’s use of bloopers during the end credits and from this point on would do the same in all of his own movies.

Burt Reynolds and Dom Deluise appeared together in Smokey and the Bandit Part II the previous year.  This movie makes several references to that earlier movie including Reynolds mentioning the black Trans-Am and Deluise referencing his doctor character.

Watch the end credit outtakes

The Cannonball Run had two sequels. The first was The Cannonball Run II in 1984. Part II reunited the majority of the cast from the first movie. The second sequel was Speed Zone in 1989. The only returning character in the third movie was Jamie Farr’s The Sheik. The two leads were John Candy and Eugene Levy, friends who appeared together on SCTV and in the movie Armed and Dangerous. Their casting was an attempt to recreate the chemistry of original leads, and friends, Burt Reynolds and Dom Deluise.

This movie still holds up today. Reynolds and Deluise are hilarious and it seemed the entire cast had a blast filming the movie. Part II also holds up very well and fans may actually remember more scenes from Part II than the original.

Solicits for the DC reboot madness

Posted in Batman, comic books, Superman, The Flash with tags , , , , on June 14, 2011 by Paxton

Well, the whole DC relaunch thing has the comic fanboys losing their damn minds.  In case you don’t know, it seems comics fans are up in arms because DC decided to reboot all their titles back to #1.  Comic blogs everywhere are kvetching about it.  CT from Nerd Lunch even deemed it necessary to talk about the relaunch.  CT mentions that he hates some of the costume redesigns, but I like them.  Especially Flash.  They just look more modern.

Now, I’ve read comics since the early 80s.  I started with Flash and then ventured into Superman, Batman, X-Men and The Fantastic Four.   I still read comics, but I tend toward the trade paperback collections and don’t really care about single issues anymore.  I don’t care what number is on the cover, I just want good stories.  But I look forward to this relaunch as a “wipe the slate clean” and start fresh with cool ideas.  Almost buried in the announcement of the reboot is the fact that DC will also start distributing comics digitally the same day they release them in print.  That’s huge.  Reading comics digitally is growing quickly in practice, much to the consternation of comic book fans everywhere.  With the iPad and other tablet computers, we finally have the perfect way to read a digital comic.  I am looking forward to doing just that.  I have been reading digital comics for the last few years now and while I prefer print, digital isn’t bad (especially when I get a tablet computer).

Anyway, I was reading The Source, the DC Universe blog, and they gathered together all the solicitations for the new reboot titles. There are lots of cool and interesting titles that have been announced.  Let’s take a look at them.

Action Comics 1 Superman 1
Here are the Superman reboots.  The two images above are for Action Comics #1 (left) and Superman #1 (right). In the solicit you can also see covers for Superboy #1 and Supergirl #1.  Like I said I don’t care they are rebooting Superman, because, technically, they already did it once back in 1987 with John Byrne.  This Superman #1 is interesting because it’ll be written and drawn by George Perez who took over from John Byrne back in 1989.  I’m actually a bit surprised they are rebooting Action Comics due to it’s history.  I mean, it was about to hit #1000.  But they got Grant Morrison to write it, which is awesome.  He did the spectacular All-Star Superman series with Frank Quitely.  I’ll definitely want to check these out.

Detective Comics 1 Batman 1
Here are the solicits for the Batman reboots. Detective Comics #1 is on the left and Batman #1 is on the right. I like Batman, I’m just not a huge Batman fan. Rebooting Detective Comics back to 1 is interesting to me because of the history (like Action Comics). It also nearly hit 1000. However, also interesting is the fact that this will be the first time that Batman has EVER appeared in a Detective Comics #1 (or #2-26).  I’m surprised they didn’t reboot Detective Comics back to #27.

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Girding my loins for Twilight 4. It’s coming…

Posted in books, movies, pop culture, Twilight with tags , , , , on June 9, 2011 by Paxton

Harlequin Twilight

The Twilight series and I have a…complicated history. I think of us as adversaries, coldly staring at each other over the battlefield of pop culture.  We’ve each taken (and given) our wounds, but we rise up to fight again.  And again.

And again.

I first tried to stop the EMO-ification of badass vampires in the first Twilight movie here.

Not content with completely ruining vampires, Twilight: New Moon set it’s sights on raping awesome werewolves.  See that here.

Twilight: Eclipse at least promised a vampire vs werewolf war, but instead ripped off our sack and stomped it into the pavement.  You can read that loveliness here.

Now, the long road is coming to an end.  There is only one more book left in the saga.  And to make it last as long as f**king possible, Summit Films is splitting the last book into TWO movies (a la Harry Potter).

And we finally have an official trailer for Twilight: Breaking Dawn Part I.

Now, if you’ll pardon me, I have until November 18 to prepare for battle.