Today I’m going to take a look at Peter Jackson’s 1992 cult zombie film, Dead Alive.
Suprisingly, I’d never seen this movie before. I used to be a big gore hound in the late 80s. I’d heard of it at the time, but never had a chance to watch it. I like Peter Jackson’s films for the most part. The first Peter Jackson movie I ever watched was probably The Frighteners with Michael J Fox and I loved it. I even saw his ultra-cult hit Meet the Feebles. So I’m a little behind the curve on this particular movie. But with my zombie Halloween theme this year I thought this would be the perfect time to rectify this situation. So I watched it.
And I didn’t just love it. Don’t get me wrong, there were some funny and weird moments that I enjoyed. I probably would have enjoyed this even more if I had watched it with a bunch of buddies and beer or had I watched it back in the 90s. But, let’s not dwell on what I didn’t like, I’ll talk about some of the stuff I enjoyed.
I liked the leads well enough. Timothy Balme as Lionel was suitably awkward and Diana Peñalver was adorable and cute as Paquita. The crux of the story is an interesting origin for the zombie plague. It all starts with a rare mutant animal called a Sumatran Rat-Monkey that is created by plague rats raping tree monkeys. Yes, you read that right. One of these disgusting looking Rat-Monkeys is, mistakenly, I think, shipped to a zoo in New Zealand.

In New Zealand, awkward and nebish Lionel meets Paquita who fall in love, but Lionel’s overbearing mother disapproves. While spying on the couple at the zoo, Lionel’s mother is bitten by the Rat-Monkey and turns into a flesh eating undead monster. Everyone else thinks she dies, but Lionel secretly keeps her in his basement along with a live-in nurse who the mother also turned into a monster. Soon, other victims become monsters and are put in the basement. Eventually it gets out of hand when Lionel’s shady uncle shows up looking to get a share of Lionel’s inheritance.
That’s only like half the plot. So much goes on that’s weird and nearly indescribable. You really have to see it.
At one point, Lionel is attacked by a group of punks in the graveyard. His mom attacks them, turns them into monsters and then a priest shows up and famously shouts, “I kick ass for the Lord” and uses karate to kick the monsters’ collective asses. It’s a pretty great scene.






























