Cavalcade of Awesome

After this, there is one more day of AWESOME-tober-fest 2010.  It’s hard to believe we are almost all done.  I’ve been planning this since January.

Anyway, Day 4 of werewolf movie week. Originally, today’s review was going to be of Hammer’s 1961 classic, Curse of the Werewolf starring Oliver Reed. However, obtaining a copy of that movie was harder than I expected, so I moved the below review from the end of yesterday’s Universal reviews over to here.  What may happen is that I’ll post “Special Edition” reviews in the next few weeks for AWESOME-tober-fest 2010 that didn’t make the cut.  Movies like Curse of the Werewolf and Full Moon High as well as TV Shows Big Wolf on Campus and Hilarious House of Frightenstein would be included. So, without further ado, let’s move on to my review of Universal’s 2010 remake, The Wolfman.

As I’ve mentioned before, I loved the original Universal Wolf Man movie.  Werewolves have been my favorite monsters for years.  So, yes, I was super excited to hear Universal was bringing back their monster movies. They started with The Mummy back in 1999. Then around 2006-2007 I first read about The Wolf Man remake starring Benicio Del Toro as Talbot. While I’m not a huge Del Toro fan, I could see him as Talbot. Universal also went and got Rick Baker to do the wolf makeup and filled out the cast with other great actors; Sir Anthony Hopkins as John Talbot, Emily Blunt as Gwen and Hugo Weaving as a police inspector. Universal picked Andrew Kevin Walker to write the screenplay which was a great choice as he wrote moody thrillers like Sleepy Hollow, 8MM and Se7en.  And Mark Romaneck was selected as director in January 2007 and he was, to me, unproven but he had all this talent around him so I wasn’t too worried.

Then the production problems started.  Romaneck quit in February 2008.  Universal considered hiring Brett Ratner (NO!!) but came to their senses and hired Joe Johnston to deliver the finished film.  The release date slipped.  It was originally scheduled for Nov 12, 2008, but it slipped several times until it finally landed on Feb 12, 2010.  An interesting choice to open this on Valentine’s Day weekend.  Also interesting was that at no time was the movie slated to be released in October on Halloween.  The closest they got was November 2009.  Wonder what happened there.  Danny Elfman was hired to score the picture, however Universal didn’t think it fit with the tone of the movie so they hired another person to score it, but that too was scrapped and the Elfman score was reinstated.

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Welcome to Day 18 of AWESOME-tober-fest. We are finishing up this month long run into Halloween with reviews of werewolf movies this week. Today, I’m taking a look at a 1981 Joe Dante horror classic, The Howling.

Two weeks ago I reviewed the original 1977 Brandner novel, The Howling.  While it was slowly paced, it was an adequate werewolf story I thought did a good job of setting up a possible series of books about Brandner’s werewolves as, from the book, they obviously had a much larger back story than was told in the novel.

Well, Brandner’s book was optioned for a movie and Joe Dante was picked as the director, Rick Baker was chosen to do the Special Effects and The Howling movie was made in 1981.  Only, as Hollywood is want to do, the story was changed.  Honestly, a lot of the major story beats were the same, it was many of the details that were changed. But Rick Baker wound up leaving the production to do the effects for American Werewolf in London so the end of the movie suffered.

The main character, Karen White, is a television journalist who has a bad encounter with a serial killer, Eddie Quist (played by the hologram doctor from Star Trek Voyager).  After the serial killer is shot down when he attacks her, Karen and her husband travel out to this hippie community called The Colony for some rest and relaxation.  They meet the creepy members of The Colony in this weird beach bonfire party scene where we are introduced to Marsha.  Marsha overacts every single scene she’s in and constantly looks at everyone with these “crazy eyes”. She obviously takes a shine to Karen’s husband and everyone stands around awkwardly to some weird, out of place for a beach party O Brother Where Art Thou music.

Anyway, Karen is constantly haunted by her earlier encounter with Eddie and she starts to hear inhuman howling in the middle of the night.  That howling draws her husband to this clearing in the woods where he has sex with crazy eyes and they start changing into wolves in the middle of sex and then, at the very end, they turn into cartoon wolves (seriously, I guess they ran out of budget because the end of the scene is animated).  It’s pretty epic.  After this, the husband starts to get violent and belligerent towards his wife, even going so far as smacking her in the chops when she continues to whine about the night howling and how different he’s been acting lately.  Eventually Karen’s friend shows up, they start investigating the town, find out Eddie, who’s supposed to be dead, is actually there at The Colony and that he and everyone else is a werewolf.  While trying to notify her husband, the friend is attacked and killed in a nice scene.  I really like the look of the werewolf in this scene right before he kills the friend. You can tell Baker designed the hell out of this werewolf.  Very demon-like. Bravo.

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